The story of Molotow Brass Orkestar starts somewhere in foggy
November 2007 at the Bern University of the Arts (HKB). A handful of
classical of students studying classical music looking for a break of
the classical concert schedules assembled and started to play Balkan
folk music. After a short time today‘s six-piece band Molotow Brass
Orkestar was born.
The band developped quite fast. Backed by their powerful lady on
Drums, Marianne Graber, the five horn blowers started to mix whatever
style of music they liked. Thus Molotow’s unique mix of Balkan and Swiss
Folk music showing influences of klezmer, ska or even electronic beats
started to emerge. Combined with their catching vitality they soon
persuaded every kind of audience to cheer for them. Invitations to
renowned festivals where coming in soon.
In the last couple of years, Molotow Brass Orkestar played at
Brass: Durham International Festival in England, Lucerne Festival,
European Brass Band Championships, or at the Fêtes de Genève. Other
whereabouts are Bierhübeli Bern, Abart Club Zürich, Buskers Lugano,
Buskers Neuchâtel, Stadtspektakel Landshut to name only a few. The band
can be found on the soundtracks of three movies and has been featured on
radio on at least three continents.
More HERE
18 August 2013
14 August 2013
It Takes Brass to Play the Wagner Tuba
- By
- BARBARA JEPSON
When Richard Wagner began composing "The Ring of the Nibelung," his visionary opera cycle, he became dissatisfied with a particular musical theme. The solution, he decided, was not to rewrite the passage but to foster the creation of a new instrument to perform it—the Wagner tuba.
These instruments play an important role in the "Ring," an epic tale of greed, revenge, love and redemption that will be presented around the globe this year during the bicentenary of Wagner's birth. In the U.S., the first complete, four-opera cycle will begin on April 6 at the Metropolitan Opera with a reprise of the Robert Lepage production. Throughout the "Ring," the brass are associated with some of the major recurring musical themes, called "leitmotifs"—leading motives linked to particular characters, concepts, props and more.
Read the full article: Wall Street Journal
13 August 2013
Royal Danish Brass (Denmark)
The Royal Danish Orchestra is
considered the oldest orchestra of it's kind, tracing its origins back to 1448
and the Trumpet Corps at the royal court of King Christian I, who was crowned
to an accompaniment of brass and percussion instruments. The Danish name for
the orchestra - Det Kongelige Kapel - reveals that it was, in origin, an
ensemble geared to supplying the music for court events, such as providing
musical assistance to a visiting Italian opera company.
It was in this context that the renowned musician Christoph Willibald Gluck not only led the Royal Danish Orchestra, but also composed the music for special occasions – a notable example being the celebration of the birth, in 1749, of the later King Christian VII.
Over the years, the orchestra moved out of the court and settled down in the pit at the Royal Danish Theatre. A growing number of engagements saw an increase in the size of the orchestra, and when Johan Gottlieb Naumann carried out his reforms in the 1780’s, the ensemble numbered 46 members. It is relevant to mention here that it was at precisely this time that the Chorus of the Royal Danish Opera became permanently assigned to the Royal Danish Theatre.
It was in this context that the renowned musician Christoph Willibald Gluck not only led the Royal Danish Orchestra, but also composed the music for special occasions – a notable example being the celebration of the birth, in 1749, of the later King Christian VII.
Over the years, the orchestra moved out of the court and settled down in the pit at the Royal Danish Theatre. A growing number of engagements saw an increase in the size of the orchestra, and when Johan Gottlieb Naumann carried out his reforms in the 1780’s, the ensemble numbered 46 members. It is relevant to mention here that it was at precisely this time that the Chorus of the Royal Danish Opera became permanently assigned to the Royal Danish Theatre.
Royal Danish Brass was founded in 1977 under the name The
Royal Orchestra Brass Quintet. Five young brass
players from The Royal Danish
Orchestra, trumpeters Ketil Christensen and
Søren Emtoft, hornist
Poul-Erik Vilsbæk and trombonists Keld
Jørgensen and Mogens
Andresen, stated as
an objective of the ensemble: the
ancient traditions of open-minded
and contemporary orchestrations,
interpretations and versions retaining
old music and in
close collaboration with composers and colleagues, exploring new avenues in music under strict conditions of quality in every
way.
Royal Danish Brass is THE Danish brass ensemble par excellence, with a high degree of musicality. There are concerts, church concerts, school concerts and 'clinics' and 'master classes' regularly.
Royal Danish Brass is THE Danish brass ensemble par excellence, with a high degree of musicality. There are concerts, church concerts, school concerts and 'clinics' and 'master classes' regularly.
More info HERE
11 August 2013
da Blechhauf'n (Austria)
da Blechhauf'n
is a group of seven guys, who got together to predominantly play traditional Austrian but also progressive music to entertain their listeners.Generally, it's all about brass, however trying out numerous other genres manifests itself as a new musical tradition in brass performance, making the unforeseeable foreseeable.
When listening to them, they encourage you to allow yourself to enter into the variety and diversity of sound, word, dance and comedy, and to experience
the charm of modern tradition!
09 August 2013
BonaNZa (New Zealand)
BonaNZa is made up of five professional trombone players from throughout
NZ, representing the Auckland Philharmonia, the New Zealand Symphony
Orchestra, and the Vector Wellington Orchestra. The members enjoy
playing varying styles of music and performing in diverse places, from
inside trains, busking in the coromandel or the top of the Sky Tower, to
a band rotunda tour of the South Island. Bonanza played to 150,000
people at the 2009 Startlight Symphony as soloists with the Auckland
Philharmonia, a world record for a trombone ensemble (unofficial but
probable…)
More HERE
More HERE
05 August 2013
Vienna Horns
"Director's Cut" is the title of the CD featuring the twelve horn
players that caused worldwide bafflement and amazement with their Vienna horns. This time they have not produced Viennese sounds, but well-known
and legendary themes from soundtracks such as Bernhard Hermann's music
for Alfred Hitchcock's "Torn Curtain" as well as scores from
contemporary films such as Patrick Doyle's "Harry Potter".
The ingenious arrangements for the Vienna horns are made by Alexander Wagendristel. The conductor of the recordings is Alois Glaßner.
The ingenious arrangements for the Vienna horns are made by Alexander Wagendristel. The conductor of the recordings is Alois Glaßner.
More info HERE
03 August 2013
Triton Brass Quintet (USA)
Triton Brass is an exciting musical collaborative comprising five of
the region's most promising young talents. Prize
winners at the 2005 Lyon International Chamber Music
Competition and 2003 Fischoff International Chamber Music
Competition, Triton is in its fourth year as
artists-in-residence at The Boston Conservatory, where the
group serves as both performers and instructors, and
are proud to be faculty and co-hosts for the Atlantic Brass Quintet
International Seminar. Triton Brass also served as
chamber music faculty at the Boston University Tanglewood Institute
from 2005-2010.
Among its recent performances, Triton has performed as soloists with the Boston Conservatory Wind Ensemble, the new music ensemble Alea III, and the Concord Band, and as a headline performer for an WGBH outdoor concert in front of more that 30,000 audience members. Fervent supporters of new music, the quintet has performed multiple world premieres in recitals throughout the U.S. and maintains an ongoing "call-for-scores" open to all composers and collaborators.
The Quintet performs extensively in numerous capacities, including recitals, educational concerts and residencies, formal affairs, and collaborative endeavors.
Listen HERE and HERE
Among its recent performances, Triton has performed as soloists with the Boston Conservatory Wind Ensemble, the new music ensemble Alea III, and the Concord Band, and as a headline performer for an WGBH outdoor concert in front of more that 30,000 audience members. Fervent supporters of new music, the quintet has performed multiple world premieres in recitals throughout the U.S. and maintains an ongoing "call-for-scores" open to all composers and collaborators.
The Quintet performs extensively in numerous capacities, including recitals, educational concerts and residencies, formal affairs, and collaborative endeavors.
Listen HERE and HERE
30 July 2013
Sonus Brass (Austria)
Many enthusiastic reviews in music magazine prove
that Sonus Brass Ensemble, founded in 1994, has become one of the most
active, intriguing, and innovative brass ensembles in Austria. In
classical brass instrumentation consisting of 2 trumpets, bugle,
trombone, and tuba the five musicians demonstrate a tremendous musical
scope ranging from early to contemporary music and comprising original
as well as cover versions. They have received international recognition
for their numerous music appreciation projects:
“Rocky Roccoco”
"The Brass Workers"
"The Emperors new Cloths"
"Don Quichotte and friends":
“Rocky Roccoco”
"The Brass Workers"
"The Emperors new Cloths"
"Don Quichotte and friends":
The second part of the concert consists of the play “Don Quichotte, clownish comedy”.
Plot:
The play starts with Sancho Panza’s initial complaint, “I’ve been serving my master Don Quichotte for 17 years now! Pha! But what does he amount to without me his loyal squire?! Of course, in our play, Sancho Pansa will kill the dragon for his master. And Don Quichotte will be refused by Dulcinea, and there will be fierce battles between Don Quichotte and the windmills of La Mancha. In our version of this classic there will even be casualties, but in the end director Markus Kupferblum brings all the dead characters back to life, Don Quichotte will certainly have a happy end with his beloved Dulcinea, and Rosinante gets…. let’s not divulge all the surprises!
The play starts with Sancho Panza’s initial complaint, “I’ve been serving my master Don Quichotte for 17 years now! Pha! But what does he amount to without me his loyal squire?! Of course, in our play, Sancho Pansa will kill the dragon for his master. And Don Quichotte will be refused by Dulcinea, and there will be fierce battles between Don Quichotte and the windmills of La Mancha. In our version of this classic there will even be casualties, but in the end director Markus Kupferblum brings all the dead characters back to life, Don Quichotte will certainly have a happy end with his beloved Dulcinea, and Rosinante gets…. let’s not divulge all the surprises!
29 July 2013
Phil's Old and Odd Brass Collection (USA)
"Tornister" Tenor
Tuba by Cervany c.1900
This is a beautiful small Tenor
Tuba or Baritone in Bb made by Cervany primarily for the
military. It is called a "Tornister" or "Rucksack" baritone. The
advantage of such a small horn is obvious- it can be easily carried on
a long march in a soldier-musician's backback. It is 16 1/2" lng (42cm)
and has a bell 6 7/8" (17.5cm) in diameter. Note the unique design
feature which has the leadpipe coming from the side opposite the bell.
It is a nearly identical companion to my tiny Tornister Tuba which is only
slightly larger. The label is written: CERVANY & SOHNNE - ZUKUNIGGRATZ IN
BOHMEN. This baritone and my Tornister Tuba were
both lovingly restored by Dick Hansen in Massachusetts. They both play
amazingly well for such small horns.More old instruments HERE
28 July 2013
Brass Ambassadors (USA)
Established in 1982 and comprised of five brass instrumentalists, the Brass Ambassadors have performed throughout the Midwestern United States for military
functions, public concerts, recitals, and school clinics. Led by
Musician Second Class David Paff, this ensemble performs musical styles
such as classical compositions, Dixieland and march arrangements.
Navy Band Great Lakes' Mission
"Pride in Service" has been the theme for Navy Band Great Lakes for more than a century. From 1911, when the band first formed, to 1917, when Lieutenant Commander John Philip Sousa served as Bandmaster, to today's Director, Lieutenant Patrick K. Sweeten, our music represents the pride and professionalism that is synonymous with the United States Navy.
Click HERE
"Pride in Service" has been the theme for Navy Band Great Lakes for more than a century. From 1911, when the band first formed, to 1917, when Lieutenant Commander John Philip Sousa served as Bandmaster, to today's Director, Lieutenant Patrick K. Sweeten, our music represents the pride and professionalism that is synonymous with the United States Navy.
Click HERE
21 July 2013
The Bay Brass (USA)
Formed
in 1995, The Bay Brass, is
comprised of a cooperative of
players from the San Francisco
Bay Area's leading performing
organizations including the
San
Francisco
Symphony,
the San
Francisco Ballet
Orchestra,
the San
Francisco Opera
Orchestra,
and Symphony
Silicon
Valley.
The aim of the group is to
present both large-scale
symphonic brass ensemble works
and compositions for smaller
combinations of players in
acoustics which complement the
wonderful sound of brass. In
addition, The Bay Brass programs
concerts of remarkable diversity,
combining the traditional brass
repertory with jazz and other
contemporary styles, including
the works of some of today's most
influential composers.
More info HERE
More info HERE
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